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简介：该剧讲述了:邹桐一路读完了研究✃生，仇曙光当了刑警☑队长，陈谦和的☴☒儿子陈硕也做了☜律师，葛晴因为早年✑父亲被绑架受了刺♡激，没有从事法律工☷作在图书馆任✍职，而子蒙成为了著名的☴网络写手。2☀0 埃尔文·史密斯 エルヴィン?スミス 小林靖子 ☠유矢岛サコ美 糸贺慎太郎 佐藤道☀✒夫 宫崎里见 ☆长谷川瞳 门胁聪Scors★ese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.